Spell Check Insights
Saturday afternoons have become my "anchor time" for writing. It is these two to three hours every week that keeps my book on track. Sure, I write through the week, but it seems that I need time at the library or a coffee shop to really get stuff done. Weeknights at home are filled with distractions and it seems that by 8:30 lately I start thinking about how good it would feel to be reading in bed. So, Saturday writing it is.
This past Saturday I was going to start a complete edit of my entire 75,000 word, 240 page manuscript for the second time. What occurred to me though was that I had never run a spelling and grammar check on the whole document, so I thought that might be a good use of my time. It revealed lots of fun little things.
Things like:
This past Saturday I was going to start a complete edit of my entire 75,000 word, 240 page manuscript for the second time. What occurred to me though was that I had never run a spelling and grammar check on the whole document, so I thought that might be a good use of my time. It revealed lots of fun little things.
Things like:
- When I'm writing dialog, I'll often drop the g's off of words. Words like coming turn into comin' and going turn to goin'. It's not wrong from a writing standpoint, but it pains me a little to even write bad grammar - even though I am guilty of using bad grammar all the time. Ya see where I'm comin' from?
- For emphasis, I'll lead some words with a few of the first letters of that word and follow with a multitude of the trailing letters. So when someone is in trouble, they'll say, "Oooooohhhh!" for example. The problem is I am never sure how many letters should be on one side or the other. For all of the rules in the English language, and there are a crap-ton of them, why is there no rule that "When writing for emphasis, thou shalt use 7 primary letters and 6 trailing letters." Call it a writing Commandment if you need to. Just tell me if I'm using too many or too few.
- I didn't realize how many sound effects I'd used in a single book until Spell Check caught each of them and pointed them out as errors. Again, there are NO rules about sound effects. I think writers have free reign to make up words based on how they sound to THEM. So when I say a truck says Roooooaaar Brrrraaaap, well, that's how it sounds to me. To you it may sound like Pachelbel's Canon, but to me more like Roooooaaar Brrrraaaap! I actually enjoy making up words for these sounds as is evidenced below with a few examples.
- Caclang!
- Pffffttttt!
- Fwoosh!
- Cathrack!
- Cathump!
- I also realized I made up a couple of words. I feel more comfortable doing this in poetry - in the name of freedom of expression - but it always feels just a little wrong in memoir. But I did it anyway. We'll see what the old editor says about Arsonic. Merriam Webster defines it as: A word first coined by Jim Landwehr in 2017 to describe the tendency toward arson. Waiting on the copyright.
There were a multitude of other weird things that came up - including the need to look up the word Jetway (don't ask) only to find it is trademarked and needs capitalization. Who knew? I guess these are the kinds of A-ha moments that only a writer can appreciate.
In any case, the truth of the matter is that I have a 75,000 word book that, while a bit rough at the moment, is getting closer to becoming a real thing and that excites me no end. I learned in writing Dirty Shirt that during the editing process, often times the book gets better by subtraction rather than addition, as it goes. So I did a little of that yesterday as well.
But I draw the line at subtracting Brrrraaaap!
Blogging off...
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